Tuesday, February 28, 2006

Oscar Prediction: Best Supporting Actor

let's knock two of these out in one day.

the nominees:
  • George Clooney-Syriana
  • Matt Dillon-Crash
  • Paul Giamatti-Cinderella Man
  • Jake Gyllenhaal-Brokeback Mountain
  • William Hurt-A History of Violence
the thing about these Academy voters is that they're human, and like most humans, they don't take criticism well. last year, the Academy voters got a lot of backlash for not nominating Paul Giamatti for Sideways. you could even say they blew it by not nominating him for American Splendor in 2004. so this year, when it's time to make good, they nominate him for his performance in Cinderella Man.

if the Academy truly were rewarding the best performance of the year, I would say that my prediction would be Matt Dillon. but time and again, they reward actors for a body of work, and not for their most recent work. for that reason, I say Paul Giamatti gets the win.

next: Best Actress

essential record of the day: Smashing Pumpkins--Siamese Dream (1993)

there's a big part of me that wants to hate this album.

Smashing Pumpkins signifies for me a lot of what was wrong with the alternative/indie scene in the 90s. Billy Corgan was a nobody when the Smashing Pumpkins released their debut record Gish in 1991. i remember getting into them because i saw the video for "Siva" on 120 Minutes and then meeting a guy who had the actual record, because it was hard to find stuff like that at Camelot Music when you are 16 and don't have a driver's license yet. and it was a cool record with some rockin' tracks, like "Rhinocerous." and what's more, it was my little secret

then came Nirvana. and all of sudden indie rock was soup de jour when it came to the new hot thing in music.

then came Virgin Records, their money and their distribution deals. Smashing Pumpkins "sold out" and released Siamese Dream. i let a friend in on my secret--"In six months time, when I come home for Christmas (it was my first year in college, and i was about to leave for Bowling Green) Smashing Pumpkins will be huge, and you will come to me and say 'you were right.'") in six months time, this friend and i had that conversation. but what i didn't realize at the time was that Billy Corgan had created one of the masterpieces of the alternative rock movement.

the interesting thing about Siamese Dream is that it follows a lot of the same conventions that shitty, hair metal bands had put out on the seemingly endless parade of craptastic records in the late 80s and early 90s. proto-metal guitar riffs and power ballads is all you have to say to describe most of the record. but unlike all of those horrible hair metal bands, Corgan somehow managed to write good proto-metal riffs (strong, but not overbearing) and interesting power ballads.

this record challenges a lot of what i believe about what is good about music. The Smashing Pumpkins made a lot of money with this record, and yet, it is probably one of the best records ever made. as is so often the case with these major label debuts, however, is that no one gave a flying fuck about Billy Corgan when he was making this record. he was just another rockstar wannabe trying to figure out how to make it. and did he ever make it. but i would credit that to the accessability of Siamese Dream as a whole. and just because a record is accessable doesn't mean it's not good. records like this one and The Bends by Radiohead are proof of that. it's just that they are so hard to come by that when they show up, you can't believe they exist, and you feel bad about agreeing with all of the average music going public because somehow that damages your cred.

but eventually you have to stop being a pompous ass and accept that there are some things that most people are going to like. so what if everyone loved the Beatles? they were really fucking good--good enough to have everyone figure it out, not just the music snobs.

and so i have to give credit where credit is due. Siamese Dream is one of the all time greats. it's the sort of record that makes you wish the band would never try to make another one, because you know there's no way they will ever top it. and perhaps had Smashing Pumpkins done that, i wouldn't feel so bad about liking this record so much today. Grade: A+

Oscar Prediction: Best Supporting Actress

I have six of these posts to go and six days until the Oscars. so let's do Best Supporting Actress.

the nominees:
  • Amy Adams-Junebug
  • Catherine Keener-Capote
  • Frances McDormand-North Country
  • Rachel Weisz-The Constant Gardener
  • Michelle Williams-Brokeback Mountain
My prediction: Amy Adams in Junebug. I figure this award is going to come down to either Amy Adams or Rachel Weisz. both performances are the glue that hold their respective movies together. but The Constant Gardener has an excellent novel behind it, and most of the action takes place without Weisz, and you could see that maybe another talented actress could play the part. Junebug, however, would be nowhere without Amy Adams. The role of Ashley is the bright star around which all of the other characters in the movie rotate. The performance is absolutely amazing, and i echo Roger Ebert's sentiments when he says he hopes enough people have seen this film to have voted for her. It may have been the performance of the year from any actor, bar none.

Next: Best Supporting Actor

Monday, February 27, 2006

"This Charming Man" a terrorist?

pitchfork media is reporting that, in an attempt to be totally fucking ridiculous, the FBI questioned Morrissey to judge whether or not he was a threat to U.S. National Security. the impetus was that Morrissey made a comment at a Dublin show where he wished that George W. Bush would die. so it was time for a fun filled investigation for him!

but Morrissey hit the head on the nail with this comment about his fun experience with the FBI and Britain's Special Branch:

"My view is that neither England or America are democratic societies," Moz summed up. "You can't really speak your mind and if you do you're investigated."


no! not in George W. Bush's America! i'm shocked!

World Baseball Classic: Shitty Idea, Poorly Timed

this is C.C. Sabathia, ace pitcher for the Cleveland Indians. and right now he is scaring the crap out of me. why? because he's on the roster for the US team in the World Baseball Classic starting in March.

this has to be the worst idea in the world. why would you get a group of Major Leaguers to get involved in an international competition BEFORE the start of the season and in the middle of spring training. I am sure Sabathia and the other two Indians players in this competition (Ronnie Belliard and Francisco Cabrera, Cleveland's closer of the future) have been engaged in off-season training, but they aren't ready to play ball yet.

why would MLB be so stupid as to put these guys health on the line right before the season begins?

Oscar Prediction: Best Original Screenplay

this is my favorite category. i love the original stories that are written for film, and the best movies always seem to come from this category.

the nominees:
  • Crash
  • Good Night and Good Luck
  • Match Point
  • The Squid and the Whale
  • Syriana
My prediction: Crash. arguably, Crash was the best film of the year. like i said when i predicted the winner for Achievement in Film Editing, when you make a movie like Crash, it's important that the interactions of the ensemble cast are not perceived as hokey by the viewer. a large part of that is on Film Editing, but most of it is on the script. and the question here is, has Paul Haggis written a story of coincidental meetings of characters that is believable? i've heard people argue that it doesn't work, but i have to disagree. the movie works because each character comes to the fray with their own built in assumptions and prejudices. their interactions are a result of those prejudices. you can thank the screenplay for that.

next: Best Supporting Actress

Oscar Prediction: Best Adapted Screenplay

i'm going to hit both of the screenplay predictions in two posts, and we'll start with the Best Adapted Screenplay.

the nominees are:
  • Brokeback Mountain
  • Capote
  • The Constant Gardener
  • A History of Violence
  • Munich
my prediction: Brokeback Mountain. buzz does play a big part in who wins and loses in these events, and no movie on this list has more buzz than Brokeback Mountain. Even if the movie doesn't win Best Picture, the buzz generated by "the gay cowboy movie" should be enough to catapult this screenplay to the win. having Larry McMurtry as one of the screenwriters doesn't hurt either.

next: Best Original Screenplay

Sunday, February 26, 2006

the power of Oprah

i don't understand the big deal about James Frey making shit up for his memoir A Million Easy Pieces and his getting dropped by his publisher for it.

anyone who thinks that any memoir is or has to be "the truth" doesn't understand the nature of story-telling or writing for that matter. does anyone here think that the parts of Bill Clinton's memoir dealing with Monica Lewinsky are the way Monica remembers them? a liberal? a conservative?

the point is, a book doesn't have to be true to be true. If anyone has ever read The Things They Carried by Tim O' Brien knows this. If the story is good enough for you to ask, "is that true?" then it is, even if the events never happened.

it's obvious that Frey knows how to write. otherwise, no one would read him. you would think his publishers would realize this, but by dropping him, they've shown that they are daft as Oprah and the American reading public as a whole.

Oscar Prediction: Cinematography

the next prediction: Achievement in Cinematography.

the nominees are:
  • Batman Begins
  • Brokeback Mountain
  • Good Night and Good Luck
  • Memoirs of a Geisha
  • The New World
i think cinematography may be the most underrated part of the filmmaking process. a major portion of watching a film is the fact that it is a visual medium. what we see with our eyes makes all of the difference when we watch a film. what makes a feature length film different from your home movies are things you never think about when filming--film stock, lighting, angles and lenses. to me, Achievement in Cinematography should reward a film that is visually stunning.

that's why i am happy that the Academy nominated Batman Begins. it was one of my favorite films of the year, and it was visually stunning. so much of the Batman mythos depends on the mood generated by the film. that said, however, my prediction is Brokeback Mountain.

When you see an Ang Lee film, you know you've seen it. Lee's work is always visually stunning. Brokeback Mountain is no different. The Wyoming landscape is almost a character of the film itself, and you understand why this beautiful place is so special to Ennis Del Mar and Jack Twist. if the cinematography wasn't this good, Brokeback Mountain would just be another place.

next: Best Adapted Screenplay

Don Knotts (1924-2006)

and what can be said about Don Knotts that hasn't been said before? he died Friday night of pulmonary and respiratory complications on Friday night.

The man was an absolute giant. he was quite possibly one of the funniest comedians that has ever graced a television screen and was one of the staples of early television. His role as Deputy Barney Fife is one of the classic all time television characters. the role would not have been so memorable had Knotts not played the role. he also had an underrated stint on Three's Company as Ralph Ferley, a role that i would say helped keep the show afloat after the Norman Fell and Audra Lindley left the show for a spin-off. He was a great character on a mediocre show.

Don Knotts will truly be missed by all that enjoyed the humor he brought to the world.

Darren McGavin (1922-2006)

Usually i save the celebrity deaths for a catch all post, but there were two deaths over the weekend that are so huge i thought i'd give them their own posts.

First we have Darren McGavin, probably most well know for his part as Ralphie Parker's dad in A Christmas Story. according to cnn.com, he died Saturday of natural causes.

McGavin was one of the most memorable characters from A Christmas Story, and it's hard to believe the film would have been as great without him.

and then, there's an even bigger shocker...

Oscar Prediction: Film Editing

the Oscars are one week from tonight and i have more than 7 predictions to make. so let's get cracking!

the nominees for Achievement in Film Editing are:

  • Cinderella Man
  • The Constant Gardener
  • Crash
  • Munich
  • Walk the Line
the thing about editing a film is that, since most films are filmed out of sequence, the editor becomes an essential member of the production crew. an achievement in film editing should be defined by the crispness of the edit, and the effectiveness of the sequencing. thus a film like The Constant Gardener, which is told in flashbacks and a film like Crash, which relies on the interplay of the ensemble cast would not be effective if the editing were not so good. I would say The Constant Gardener and Crash have to be the favorites, and my prediction is Crash.

Crash was possibly the best film made last year, and part of its effectiveness is how Paul Haggis' script jumps from interconnecting story to interconnecting story. it's difficult to do a movie like this without making it seem hokey. one of the things you have to get your viewer to buy is that the convenient coincidences in the film are believable. i think Haggis accomplishes that here, and as a result, Crash will probably win.

next up: Achievement in Cinematography

comments fixed

Ed from Chasing Infinity pointed out that my comments were set so that only blogger members could comment. i've fixed that. so feel free to comment away and tell me how full of shit you think i am.

record of the day--Cat Power: The Greatest (2006)


having been a Cat Power fan for the last ten years, i've come to believe that there are two Chan Marshalls. one is an absolute train wreck, impossible to watch and a no talented hack. and then there's the other Chan Marshall--the one that manages to pull her shit together and release a fairly decent record every few years. in the 90s she was really great at doing this, her records What Would the Community Think? and Moon Pix are indie rock classics--the stuff recently merely decent (apart from The Covers Record misfire.)

and now Chan Marshall has brought us her latest Cat Power opus The Greatest. once again, Chan has decided to surround herself with a group of really talented musicians (this time around it was Memphis soul musicians, in the past it's been Dirty Three and Steve Shelley, among others) and once again, Chan has set herself up for heaping helpings of critical acclaim. as Ed from Chasing Infinity says, "Norah Jones wishes she could make a record like this."

but what might be great for Norah Jones is becoming pedestrian for Chan Marshall. The Greatest is just more evidence of the fact that there are two Chan Marshalls. the Chan Marshall in the studio plays it safe. she has the credibility to surround herself with marvellous musicians, but she doesn't seem to take very many chances anymore. i don't know if it is because she caught so much shit for The Covers Record or what, but the wiser, older, has-her-shit-together Chan doesn't like to take chances. unfortunately, you need to have a train wreck streak in you to take the sorts of chances Chan took on her early records, and when she gets in the studio these days, she seems to put that all aside, and as a result the records suffer slightly. don't get me wrong--The Greatest has true stand out tracks, like "Living Proof", "Love and Communication" and the title track--but when push comes to shove the record is just a little too boring to be a good Cat Power record.

In the end, she's going to need to embrace that inner train wreck when she's in the studio--right now she's a little too much like mild-mannered Bruce Banner, afraid to let the Incredible Hulk out for fear of the damage that may be done. unfortunately, it's train wreck that put her on the map. Grade: B

Saturday, February 25, 2006

has been doo-wop artists pissed that imposters take their name

there's an article up on cnn.com about how the Pennsylvania legislature passed a bill that will place an injunction on anyone impersonating a 50s or 60s doo-wop band, with civil penalties against the band and promoters of up to $15000.

see, the survivors of those bands lose their meal ticket when those impersonators show up claiming to be someone they aren't. the problem is, when i say survivors, i mean survivors. The Drifters and Coasters only have one surviving member each. and they are older than dirt. (Carl Gardner of the Coasters is 77, Bill Pinkney of the Drifters is 80.)

when only one member of a band plays somewhere, they aren't a band--they're a solo act. and when they are that old, imposter or not, they're going to suck.

Friday, February 24, 2006

i gotta wait until 2007?

so it looks like the first salvo in the Superman Returns v. Spider-Man 3 war has been fired...

happy birthday Admiral Adama!

happy 59th birthday to Edward James Olmos, who plays Admiral Adama on my favorite TV show, Battlestar Galactica.

if you aren't watching this show, you definitely want to check it out.

essential movie of the day--Groundhog Day (1993)


I found out this past Groundhog Day that my wife had never seen the Bill Murray comedy Groundhog Day and immediately set about rectifying it. so i got her to drop Groundhog Day in her Netflix queue and last night we watched it. now i've seen Groundhog Day probably 20 or 30 times, since it always seems to be on TV, but i don't know how critically i have ever looked at it, because i never had an outlet or reason for writing down my thoughts about the movie before (thank you blogosphere) and because i have always been a huge Bill Murray fan, and love to watch his movies.

the first thing i wondered was that if Murray were offered a role like Phil Connors in Groundhog Day today, would he take it? i've been a real fan of his recent work, especially the stuff he did with Wes Anderson, Broken Flowers and of course, Lost in Translation (he got hosed for Best Actor that year.) i suppose that given his longtime friendship with director Harold Ramis he probably would have, but after watching Groundhog Day, i realized that the role of Phil Connors isn't much different than those that Murray has been playing lately--in fact it may be a blueprint for those roles of a comedian struggling to be taken seriously as an actor.

for those who haven't seen Groundhog Day, Phil Connors is a miserable bastard. he hates his job, and hates his life, creating a superiority complex for himself as a front for the disappointment he believes his life really has become. as part of being the weatherman at a small-market TV station in Pittsburgh, he has to trek annually to Punxsatawny, PA to watch Punxsatawny Phil come out and look for his shadow. as self absorbed as Phil is, he has no time to appreciate the small town charm of a place like Punxsatawny--he simply wants to finish his job and get out of town. and then a funny thing happens to Phil--a blizzard hits and he finds himself stuck in Punxsatawny, and what's worse, he finds himself reliving Groundhog Day ad infinitum.

i think when Groundhog Day came out, a lot of people didn't think of it as much more than a Bill Murray star vehicle, and may have dismissed it as a light comedy for a comedian who was known for making these sorts of movies. this, of course, dismisses the greater depth of the film totally. Harold ramis and screenwriter Danny Rubin masterfully craft the story of a self loathing man who is being forced by fate or the hand of God or what have you to relive the same day over and over again. what's more, in Murray they have found the perfect actor to play the part.

Certain elements of Murray's performance are indicative of his recent work--he was lauded for dialing down his performance in Lost in Translation, but i never heard any such accolades for his performance here. Murray only allows his character to go crazy when it makes sense to do so, such as when he realizes that none of the actions he takes on Groundhog Day will have any ramifications for tomorrow, because there is no tomorrow. but other than these obvious moments for physical comedy, Murray's performance is one that you would expect from someone if they had to live the same day over and over again--confusion, then excitement, then boredom, depression and despair and finally acceptance.

it is only when Phil accepts his fate that we learn the lesson of this film--that every day is a gift and that we should live life to the fullest. when Phil realizes that he can remember things from repeated day to repeated day, he at first uses the power for evil (he finds out information about an attractive woman and then uses it to sleep with her) but once he gets past the initial reaction of a self-loathing man to having to live the same day over and over again, he uses the gift he has been granted to improve himself--he learns how to play piano and to ice sculpt and he tries to be nice to other people and make their lives as worthwhile as he has found his own to be, stuck in Punxsatawny, PA.

if we could all get such a gift. Five Stars (out of Five)

Oscar Prediction: Best Animated Feature

we're only 9 days from the Oscar ceremony, so here's another predicition for Best Animated Feature.
there are three nominees:

  • Howl's Moving Castle
  • Tim Burton's Corpse Bride
  • Wallace and Gromit: The Curse of the Were-Rabbit
as i intimated in my review of Corpse Bride, my prediction is Wallace and Gromit: The Curse of the Were-Rabbit. all three films are from some of the most accomplished animators in the world, but I have a feeling that Miyazaki's film may not get the love because it is essentially a foriegn film. that leaves two very similar feeling films in Corpse Bride and Wallace and Gromit. both are stop motion animation, but for many of the same reasons i gave two days ago, I have to give the edge to Wallace and Gromit. Corpse Bride struck me too much as a film attempting to find an identity, a problem that The Curse of the Were-Rabbit just didn't have.

up next: Achievement in Film Editing

got my kid his first Legos

see that cute little plane to the left? it's actually a Lego product. that figure is actually sitting on an inch wide Lego connector, which also happens to be the only connector in the set. we got it free because when my kid shits, we get points to redeem with Pampers. so as long as he keeps shitting he can get more cute Lego toys.

one great thing about having a kid...it gives you an excuse to play with toys again.

late night infomercials are out of control

after i was awoken by "nature's alarm clock" this morning (namely, a grunting 11 week old) so i got to sample some of the fine infomercial offerings on cable television this morning. now i've seen the girls gone wild and magic bullet infomercials before, but what's the deal with the one where the bad John Waters impersonator talks about the relative size of his bowel movements compared to those of his children? how exactly is that supposed to make me want to buy anything?

Thursday, February 23, 2006

well, at least he put it in writing...

my buddy Dan pointed out this fucked up marriage contract on thesmokinggun.com where a 33 year old man from Iowa named Scott Frey had some specific demands on his wife. instead of signing the contract, she gave it to the cops, and now he's in jail.

the sad part is that none of this shocks me anymore. there's a lot of sick fucks in this world.

essential record of the day: Television Personalities--And Don't the Kids Just Love It (1980)

Could you imagine what it must have been like to be Dan Treacy in 1978?

Treacy, the progenitor of the Television Personalities at the height of the punk movement in late 70s Britain. among his peers were bands considered to be classic examples of the genre--Wire, the Clash, the Buzzcocks and the Sex Pistols. and Dan loved them. but he didn't understand why the punks had foresaken their history. the punks turned their back on the 60s mod and psychedelic bands that had paved the way for them--the Creation, and early Pink Floyd among others and poor Dan just didn't understand it. those bands were just as good and should be remembered always.

i think that it was the punk rebellion against rock history that lead Dan Treacy to create the Television Personalities. with the early singles, Treacy managed to amalgamate the punk asthetic with the music of days past and create a sort of proto-punk pop sound that no one has every really come close to approximating.

now, on the eve of the first new record from Television Personalities in ten years, we can look back at Treacy's history and see that he had problems approximating it himself. but in 1980, just a few years into the process, Treacy, and by extension Television Personalies, released their best collection of this fusion of punk and 60s pop, And Don't the Kids Just Love It.

some of the songs on And Don't the Kids Just Love It are essential Television Personalities--"I Know Where Syd Barrett Lives," "La Grand Illusion" and "A Picture of Dorian Gray" are essential listening for the TVPs adept. but the thing that makes And Don't the Kids Just Love It stand out from later TVPs releases is that every song is pretty much a TVPs classic. songs like "Geoffrey Ingram," "The World of Pauline Lewis" and "Look Back in Anger" are as good as anything that has ever appeared on a TVPs "Greatest Hits" collection (for what that's worth.)

i would argue that apart from a few releases from Treacy's peers--the Clash's London Burning and Wire's Pink Flag and Chairs Missing--And Don't the Kids Just Love It might be the best record to come out of the late 70s/early 80s British punk scene. but its more than a punk record, and that's why it is so damned good. Grade: A

the greatest invention ever?

today i'd like to thank whoever it was that invented the modern pacifier. being the father of a 11 week old, i don't know how we'd live without it. whenever my son decides that maybe he doesn't want to be asleep at 2 in the morning, a quick placement of the pacifier in his mouth placates him and buys his exhausted parents a few more hours of treasured sleep.

so let's hear it for the pacifier--perhaps the greatest device ever invented.

on second thought, maybe it's the second greatest...

Oscar Prediction: Best Documentary Feature

i think i've almost caught up with these Oscar predictions (although i'll almost certainly fall behind this weekend) so let's keep them coming.


the nominees for Best Documentary Feature:
  • Darwin's Nightmare
  • Enron: The Smartest Guys in the Room
  • March of the Penguins
  • Murderball
  • Street Fight
my prediction: March of the Penguins. of the five nominees, three of them managed to generate some modicum of buzz--Enron, March and Murderball. but March of the Penguins managed to generate so much buzz that it has almost become ubiquitous since its release--so ubiquitous that when i went to my mom's this past weekend i noticed a stuffed penguin with a baby penguin between its feet (much like the picture above.) she wouldn't have had such a thing before March made its debut. it is rare that a documentary, which is probably the most ignored film genre by the American movie-going public, can manage to draw moviegoers to the theater when most people are avoiding it like the plague. that alone will get March of the Penguins the award.

next: Best Animated Feature

Wednesday, February 22, 2006

Olympic hockey highlights what is wrong with the pro game

one thing you are going to learn about me--i love ice hockey. i consider it to be the greatest sport ever created, and even though i claimed i would never watch another NHL game after the strike, i found myself watching Red Wings games on NBC once they came back on.

anyway, once again we've had some Olympic hockey and what seems to be a pattern, the North Americans had a very bad showing, much like the did in Nagano in 1998. and even though the U.S. and the Canadians showed up in Salt Lake City in 2002, i think that this year's games show the real deficiencies in the North American pro game.

Olympic events, unlike NHL games are governed by IIHF rules, which call for a larger ice surface. i think they also call for less acceptance of some of the thuggery you see in NHL games--roughing, boarding, checking from behind. and while today's NHL features many great European players, the majority of the pros are North American and they've learned that on a smaller ice surface it's easier to just hit someone than to actually play the game as it was intended.

so is it any wonder that fans are bored with the NHL product? there's little scoring and not much skill, something that was apparent watching the North Americans in the Olympics.

here's to hoping they both get their shit together by the Vancouver games in 2010--and that Chris Chelios has retired by then so the USOC doesn't feel the need to name him to the team. (C'mon Cheli...it's time to hang it up.)

Monty Python's Personal Best


something you are definitely going to want to check out tonight is PBS's Monty Python's Personal Best, which features the different members of Python choosing their favorite sketches and reminiscing about the series. it's part of a kickoff over the next three weeks for PBS regaining the rights to broadcast Python in the States. given the current state of sketch comedy in the US (ie. it blows) you may as well stick with the good stuff.

(in Cleveland you can see it on WVIZ Channel 25 at 9pm. Also on Kent's WEAO Channel 45/49 at the same time.)

movie of the day: Corpse Bride (2005)

speaking of Oscar nominated films, i finally managed to sit down and watch Tim Burton's Corpse Bride last night, even though i got it from Netflix last week. i wanted to watch it since i knew it was going up against Wallace and Gromit: Curse of the Were-Rabbit (a film i absolutely loved) for the Best Animated Feature Oscar. we'll get to my prediction later, but let me just say now that Wallace and Gromit have little to worry about.

Corpse Bride is like all Tim Burton films--beautifully filmed and visually stunning. i was immediately drawn to the stylistic design of the puppets and their movements. i have seen Roger Ebert lament the lost art of stop-motion animation on his web site, and it is obvious that Tim Burton is a big believer in the stop motion process, even when it may be more convenient to do such things on a computer nowadays.

the problem with Burton's recent work, however, is that he makes it look good, but it just doesn't feel good. The Legend of Sleepy Hollow and Planet of the Apes looked great, but were an absolute travesty to watch. i won't go that far with Corpse Bride--it's watchable. the problem is, it wants to be a children's movie in the worst way...but the subject matter and the mannerisms of the characters are simply too horrific for children. at the core of the story is a brutal murder, and that's just not something you take the little ones to for a good time. all of the musical numbers and oddly shaped puppets in the world are going to make a difference when it comes to that.

it's interesting that Corpse Bride and Wallace and Gromit are up for the same award this year, because they parallel each other in so many ways. but the difference is that while Corpse Bride pretends to be a children's story, Wallace and Gromit is great for the whole family. i think Burton could have come up with a story that was equally engaging and charming as Curse of the Were-Rabbit, but then he let his own morbidity get in the way, and the end result isn't nearly as charming as Burton thinks it is. Three Stars (out of Five)

Oscar Prediction: Best Music (Song)

i think i am one post behind where i want to be on these Oscar predictions, so let's knock one out right here.

there are three nominees for Best Song:

  • "In the Deep" from Crash
  • "It's Hard Out Here for a Pimp" from Hustle and Flow
  • "Travelin' Thru" from TransAmerica
my prediction is "It's Hard Out Here for a Pimp" from Hustle and Flow. as i said when i reviewed the movie a few weeks back, Terrence Dashon Howard carried the movie with his performance as the pimp turned rapper DJay. that was only partially true. one other essential element of the movie was the raps themselves. would Howard be able to convince us of DJay's aspirations if the raps he was laying down during the movie sucked? no way. part of what keeps DJay's producer involved in the project is that he believes in what DJay is coming up with. he knows that the rap is infectious and that if they can just get it heard, they will be a success. that's why i think "It's Hard Out Here For a Pimp"--the other songs in the category accentuate their films, but they are not essential to the finished product.

next up: Best Documentary Feature

why am i still awake?

oh, that's right, an asshole in a cab showed up and told me he was looking for someone in 14506 UP. except i don't live at 14506 UP and the sign in front of my house which is in full view to everyone doesn't say 14506.

then again, what else should i expect from a guy who drives a car for a living? not exactly rocket science there.

fuck this, i'm going to bed.

Tuesday, February 21, 2006

celebrity morgue report

here's some celebrity deaths you may have missed since our last report:
  • Sportscaster Curt Gowdy, who was a Boston Red Sox announcer and announced the first Super Bowl as well as the Heidi game, from leukemia.
  • Richard Bright, the actor who played Al Neri, the guy who shot Fredo Corleone in the boat, hit by a bus.
  • William Cowsill, lead singer of the Cowsills. He was the second Cowsill to die in less than a year (Barry Cowsill was killed when he didn't evacuate during Hurricane Katrina.)
  • and this is a bit late, but the TV series Arrested Development which went out with a whimper (ratings-wise).

desparate times call for desparate measures

have you seen this dog?

this is Vivi, the prize winning Whippet that escaped from its cage at JFK the day after the Westminster Kennel Club Show and has been missing ever since.

now the owners, hoping to prove the notion that all people into show dogs are nuts, have engaged the services of twelve psychics to find the missing dog:

About 12 psychics are counseling searchers as they check the heated cargo buildings near where Vivi escaped from a travel cage at John F. Kennedy International Airport, Paul Lepiane, the dog's co-owner, told Newsday for Tuesday editions.

"They are telling us that she is alive and they are telling us she is warm," said Honi Reisman, a friend of the dog's owners. "They are saying she's in a building -- but there are hundreds of buildings."

don't you love when charlatans get involved? they just keep repeating the same mantra:

tell them what they want to hear...tell them what they want to hear.

pathetic.

Oscar Prediction: Best Music (Score)

okay, it looks like i am going to only going to get three posts up here at lunch (meaning that my celebrity morgue report will have to wait until later), so i'll keep going with another Oscar Prediction. This time, we're dealing with Best Music (Score).

The nominees:
  • Brokeback Mountain
  • The Constant Gardener
  • Memoirs of a Geisha
  • Munich
  • Pride and Prejudice
One of the things that has always amazed me about filmmaking (and thus convinced me that i can't do it) is the way that the director of a film can make it so his work is accentuated by the musical score. would we remember Star Wars as a classic had George Lucas not gotten John Williams to produce such a memorable score for the film? to me, the score can make a difference between a good film and a great film.

and thus, we come to my prediction for Best Score: Brokeback Mountain. the score for Brokeback Mountain is an essential part of its success. One of the big themes running through the movie is Ennis Del Mar's inability to profess his love for Jack Twist. thus they enter a cycle where Ennis and Jack are escaping to the great wilderness of Wyoming to express their love. the sweeping themes of the score which mimic the inherent sadness of Ennis' struggle to come to grips with his own feelings while also giving a largeness to the scenery that surrounds the two cowboys, become essential to painting the backdrop on which Brokeback Mountain occurs. Ang Lee, being a good technical filmmaker knows this, and uses his score to accentuate the film. i assume that this is going to be the big winner of Oscar night (I predict that it will win 6 Oscars overall) and this score will most likely be one of the six.

next: Best Music (Song)

essential record of the day: Galaxie 500--On Fire (1989)


there was a point in time when Galaxie 500 could have been just like any other indie/alternative band that was coming out in the late 80s and early 90s. they had come together like many bands of their day and weren't really technically proficient to differentiate themselves from any other band at the time. but they were smart, and sent a demo to Kramer, the owner of the Shimmy-Disc record label and at the time, little known producer. it was Kramer who suggested that Galaxie 500 add reverb to Dean Wareham's voice and this, more than anything else, allowed Galaxie 500 to make their presence felt on 1988's Today. the problem with Today is that it largely feels like a band and a producer feeling each other out. there are gems of course (the single "Tugboat" really stands out), but on the whole it is like watching an awkward first date between people who are really attracted to each other, but don't know how far they want it to go.

then came On Fire.

this is Galaxie 500's masterpiece. gone are the tenuous moments of Today. lacking are the tensions of This is Our Music (tensions that would eventually rip the band apart.) What Wareham, Yang, Krukowski and Kramer created with On Fire is a lush, but simple, soundscape featuring matured lyrics and themes. All of the tracks on On Fire are stand out, but "Blue Thunder," "Strange," "Decomposing Trees," and the marvelous cover of George Harrison's "Isn't It a Pity" are true indie rock classics.

the members of Galaxie 500 have not been able to duplicate what they accomplished with On Fire since they released it in 1989, either together or separately (although they have come close.) On Fire is one of the great, essential records of rock and roll as a whole, along side such records as the Pixies Doolittle, Sonic Youth's Daydream Nation, and the Beatles Revolver. Grade: A+

Oscar Prediction: Art Direction

man i've really been behind on some stuff i've wanted to post on here (taking care of a 2 month old while dealing with various family commitments and appointments will do that to you) so i am going to try and catch up on what i can in the next hour, and then probably post some other stuff tonight.

i am super behind on my Oscar predictions, so let's cut the crap and get to my prediction for Achievement in Art Direction.

The nominees:
  • Good Night and Good Luck
  • Harry Potter and the Goblet of Fire
  • King Kong
  • Memoirs of a Geisha
  • Pride and Prejudice
my prediction: King Kong. much like my reasoning for why Charlie and the Chocolate Factory is going to win on Costume Design, i think King Kong is going to win because it has two of the elements that all of its competitors have--they are either period pieces, or sci-fi/fantasy. King Kong is both. and i think that's a tough combo to pull off. Of course, it becomes a lot easier when you have the WETA Workshop behind it, and its WETA's meticulous attention to detail that has been making Peter Jackson's work look so groundbreaking compared to all of the other films coming out of the science fiction/fantasy genre as of late.

later: Best Music (Score)

he'll be itching all day

have you heard the one about the guy who killed his roommate because there was no toilet paper in the house?
Crow told investigators that the men were fighting about the toilet paper over the weekend when Matthews pulled out a rifle. Crow said he then began beating Matthews with the sledgehammer and claw hammer, according to an affidavit.

Matthews was beaten so badly he had to be identified through his fingerprints, detectives said.

i guess having an unclean cornhole can make a guy cranky. (insert rimshot here)

Monday, February 20, 2006

health tip of the day: weed makes you stupid

if you don't agree with the statement above, you haven't heard the story about the guy from Germany who went to the cops to try and reclaim 400 € ($475 U.S.) for some bad dope he purchased from a dealer:
"It is un-usable," the man told police in the hope they would help him get his money back.
just remember kids, dope makes you fucking dumb.

Saturday, February 18, 2006

record of the day--Neko Case: Fox Confessor Brings the Flood

Ed from Chasing Infinity (on before my show on WRUW, Sundays 8-10am) always laments that Neko Case hasn't released a proper rock album. Ed, like all of us, has gotten a taste of Neko's rock chops from her work with the New Pornographers, but on her own, Neko seems to drop somewhere in between riot grrl, chantuese and sweetheart of the rodeo. and unfortunately for Ed, Fox Confessor Brings the Flood is no different.

In a way, i can see what Ed is saying. we've been hearing Neko do stuff like this since her debut record The Virginian. Unfortunately, when you make records that sound the same, undoubtably the work is going to blend together. (I call it the American Analog Set effect--i think their music is good, but all sounds the same, so i couldn't begin to tell you what the songs are called.) Sure, Fox Confessor has some truly great stand out moments ("Hold On, Hold On", "John Saw That Number", and "The Needle Has Landed") but honestly, I can't tell you how much different it is from any of her other records. in the end, you wonder if it's worth trying to track this down.

So if you're like Ed, you might want to skip out on Fox Confessor Brings the Flood and listen to a New Pornographers record instead. Grade: B

Friday, February 17, 2006

a sure fire way to go out of business


those of you who live in the Cleveland area probably haven't heard that Corky and Lenny's, an east side deli that's been around for over forty years, has been shut down during the last week due to a salmonella outbreak. they were just allowed to re-open today. however, they've basically been getting bad press around these parts because of the outbreak, so i doubt anyone is beating down the door to eat there today.

I did however, learn some very important things because of this outbreak:
anyway, i'd say the over-under on Corky and Lenny's staying in business is 6 months. if the lawsuits don't kill them, the bad press certainly will.

record of the day: Tortoise and Bonnie 'Prince' Billy: The Brave and the Bold

I don't think i get this recent trend of artists putting out cover records. there's always a big risk when a group releases a covers record--the music will be immediately compared to the source, and often times, their renditions are completely off the mark, dealing a blow to the credibility of the artist doing the covers. take for example 2000's The Covers Record by Cat Power. With one shitty covers record, Chan Marshall managed to blow through all of the good will she had accrued with What Would the Community Think? and Moon Pix. The point is, it's difficult enough to nail one cover successfully, and it's almost impossible to float an entire record doing it.

Which brings us to The Brave and the Bold, a collaboration between Will Oldham under his guise of Bonnie 'Prince' Billy and Tortoise. and i'll give them credit--it's not horrible, and the selections are incredibly diverse. but still it seems like a colossal waste of time for artists as accomplished as Oldham and Tortoise to be doing stuff like this. The casual listener will immediately be drawn to the "famous" covers, Springsteen's "Thunder Road" and Elton John's "Daniel." while their interpretations of these songs are somewhat interesting, they seem almost overwrought to me. I once saw Oldham perform "Thunder Road" in concert in Pittsburgh, PA about five years ago. the version i heard that night was very true to the original, with Oldham dialing down even Springsteen's energy on the track from Born to Run. then he decided to invite Tortoise to the party and they pretty much mangle it.

All of the tracks on the recording are overbearing--their version of the Minutemen's "It's Expected I'm Gone" doesn't have any of the force of the original--it's almost as if they sat down and decided to suck all of the energy out the track and then commit it to tape.

and so it goes with this record. after listening to it, i'm forced to wonder how it would have been had these guys not collaborated and instead have decided to release a record of covers. i think this would have been much better had Oldham just done it on his own, without inviting the Krautrock freaks to the party. Grade: B-

NEWSFLASH: Celebrities have sex on videotape; tape leaked to public!

Apprently Kid Rock and former Creed frontman, Scott Stapp, have a sex tape that will soon be sold to the public by the good people who brought you "One Night in Paris."

i love the fact that CNN had to point out exactly what kind of sex tape we were talking about here:
Joseph says his attempts to contact Rock and Stapp, who do not engage in sex acts with each other (my emphasis) on the tape, have so far been unsuccessful.

it probably would have been more interesting that way--apart from being totally vacuous, celebrities seem to be real dullards in the sack. (and is anyone else thinking Wicked Sceptre here?)

Oscar Prediction: Costume Design

okay, so i'm a day late on this one, but i've had a busy last 24 hours. so i'll predict two winners today, Achievement in Costume Design right now, and Acievement in Art Direction later tonight. Anyway, there are five nominees for Achievement in Costume Design:

  • Charlie and the Chocolate Factory
  • Memoirs of a Geisha
  • Mrs. Henderson Presents
  • Pride and Predjudice
  • Walk the Line
Undoubtably, this award always comes down to being between two kinds of films--one where the costumes help convey the uniqueness of the setting (Charlie) and period pieces (everything else.) Since we have four period pieces splitting the vote, I predict that Charlie and the Chocolate Factory will win. the thing about Charlie is you can't do it without bold costume design. Willy Wonka doesn't work, the Oompa-Loompas don't work and even the children don't work. and unlike you period pieces, there really isn't much of a template to go off of, except for Willy Wonka and the Chocolate Factory, which i think Tim Burton made a serious effort to NOT emulate.

besides, Johnny Cash didn't have a constume designer with him when he went to Folsum Prison...

Thursday, February 16, 2006

NEWSFLASH: Vacuous Celebs Wear Obscenely Expensive Clothes, Make Bags of Money

i know you all are worried that the Olsen Twins didn't have enough cash, so you'll be glad to see they've signed a deal to hawk Badgley Mischka brand dresses. it makes total sense, really:
Ashley and Mary-Kate have grown up to become America's young style icons. They have an amazing sense of fashion and individuality that intrigued us," the design duo of Mark Badgley and James Mischka said Wednesday in a statement.
that's the sort of individuality that having your whole celebrity based on being one of two twins that we should all try to emulate.

and while we hope that with this new deal that they'll be able to eat at whatever buffet Latrell Sprewell has been eating at, i'm pretty sure that most of horny, male America is still waiting for the day when the Olsen Twins do a campaign without the dresses.

i mean, isn't that what all of those sick fuck "how many days until they're legal" websites were all about?

NEWSFLASH: Greedy Shitheads Fleeced by Greedy Smart Person

The picture to the left is of something that doesn't exist. it's a "million dollar bill" something the U.S. Government never minted.

now i don't expect rich Japanese people to know the history of U.S. currency, but i would expect that when each of them hands over the equivalent of $150K to buy a million dollar bill that supposedly was in China of all places, they would smell a rat.

then again, greed makes people do stupid things and i'm sure the mastermind of this scam is long since gone. so hopefully that will be a well learned $150K lesson, greedy shitheads.

Wednesday, February 15, 2006

Oscar Prediction: Make Up

continuing with my look at the Oscar nomination, today i'll predict the award for Achievements in Make Up.

the are three nominees:
  • The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
  • Cinderella Man
  • Star Wars: Episode III Revenge of the Sith
my prediction: Star Wars: Episode III. let's face facts. the newer Star Wars trilogy was lackluster and didn't have the charm or the magic of the original trilogy and George Lucas couldn't write a script if his life depended on it, but the man can come up with a story, and the universe he populated with Star Wars is one of the most diverse and vibrant ever created. the thing is, to realize such a universe you have to have a really accomplished make up crew who really knows what they are doing. even George Lucas knows that you can't completely shoot a movie with a computer. and i'm pretty sure the Academy will acknowledge that the group behind Revenge of the Sith had quite an achievement this year.

tomorrow: Achievement in Costume Design

a little like comparing a granny smith to a red delicious...

the dog to the left is Rufus, the Bull Terrier that took "Best in Show" at the Westminster Kennel Club Dog Show. now don't get me wrong--Rufus is a beautiful dog, but i've never understood how a dog show could really ever be fair. every dog lover has their favorite breed (i grew up around Labs, so i think they are the best) and i just don't know how you can compare a St. Bernard to a Chihuahua. even if you say you are comparing apples to apples, it really doesn't matter...i am going to have adifferent experience eating a granny smith than i would eating a red delicious or a fuji, and frankly i am going to like the granny smith the best.

so congratulations Rufus, but i'm still going to say that Champion Aquarius Centercourt Delight got the shaft...

(photo from the AP/Kathy Willens)

job perks

it must suck to be part of the Spotsylvania County Sheriff's department. the sheriff there has determined that prosecutors can't go after massage parlors that perform sex acts unless his deputies actually experience the "Happy Ending" massage:

Smith told The Washington Post that only unmarried detectives are allowed to do the under-the-covers work.He said actual sex acts are needed to help win prostitution convictions.

"If I thought we could get the conviction without that, we wouldn't allow it," Smith told the newspaper. "If you want to make them, this has to be done."

He said most prostitutes are careful not to say anything incriminating, which makes sexual contact necessary.

what other evidence are these undercover cops collecting? how do you prove that you just got a hand job anyway?

Tuesday, February 14, 2006

Oscar Predictions: Sound Mixing and Sound Editing

as production director for WRUW, i can tell you that sound mixing and sound editing tend to go hand in hand. rarely do I mix and not edit, or edit and not mix. so when it comes to making a prediction for Achievements in Sound Mixing and Sound Editing for this year's Oscars, i figure that whichever film wins one will win the other, so I've decided to combine them. There are five films nominated for sound mixing and three for sound editing. Walk the Line and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, were not nominated for Sound Editing, so I've elimated them. That leaves these three:

  • King Kong
  • Memoirs of a Geisha
  • War of the Worlds
My prediction: King Kong. for many of the same reasons i cited yesterday, i think King Kong is going to take it here. Peter Jackson and the WETA Workshop have shown a care for the detail of what they are working on. Just as they go 110% for creating a CGI ape, they show the same care to make sure their ape not only acts like an ape, but sounds like an ape as well.

Tomorrow: Achievements in Make-Up

celebrity morgue report


some celebrity death news that i've neglected to post over the last couple of days:

  • Peter Benchley, the guy who gave most of America a complex about being eaten by a shark while swimming, died at age 65.
  • Phil Brown, better known to the rest of the world as Luke Skywalker's uncle Owen Lars, died at age 89 last week.
  • Coroners have ruled that actor Chris Penn's death was an accident, a combination of an enlarged heart and a mix of perscription medication.
  • Rapper Jay Dee, who was a member of a Tribe Called Quest's production team, and one of the people who helped bring Detroit hip hop to national prominence, died at age 32. According to his label, he was suffering from an incurable blood disease and lupus. He just released a new record, Donuts, this past week, which was partially recorded in his hospital room with a mobile studio.
more from the celebrity morgue when we get wind of it.

record of the day: Belle and Sebastian's The Life Pursuit


it's hard to believe that it's almost been ten years since Belle and Sebastian released their masterpiece, 1997's If You're Feeling Sinister. I remember the first time i heard Sinister--it was wonderous, listening to something that had the feeling of a lost Smith's album combined with the lushness of a later work by the Beatles (think Abbey Road or Sgt. Pepper's.) unfortunately, Belle and Sebastian have never been able to outdo their seminal work, but after a few miscues, they were able to re-invent themselves with 2003's Dear Catastrophe Waitress, an album that, had Sinister never existed, might be considered their best work.

The problem with re-inventing yourself is that you can only do it so often, and you can't betray the sensibilities that got you where you were in the first place. The reason that Dear Catastrophe Waitress was such a success is because Belle and Sebastian managed to be completely different while somehow remaining the same. it was like a metamorphosis of a caterpillar into a butterfly, an adolescent into an adult. The shy and melancholy Belle and Sebastian of Sinister finally managed to find a way to unleash their voice and their power with Dear Catastrophe Waitress, and they managed to put their greatest work behind them, looking toward the future.

And so we come to The Life Pursuit, their most recent release. The Life Pursuit simultaneously benefits and suffers at the hands of Dear Catastrophe Waitress. it is the logical growth of the band that rediscovered their voice in 2003, but at the same time that growth is a detriment. The songs aren't that noticeably different on The Life Pursuit as on Waitress at first listen, but as you listen the record really starts to catch on. Songs like "Another Sunny Day," "Act of the Apostle," "Funny Little Frog" and "Sukie in the Graveyard" are classic Belle and Sebastian, up there with such luminaries as "Lazy Line Painter Jane," "Dog on Wheels," and even "Like Dylan in the Movies" or "Mayfly."

Sometimes the best records are the ones you don't fall in love with on first listen. I have to admit that the first time I listened to Sinister, i didn't get what all the hubbub was about. but then one day i really started paying attention, and by the time "Dylan" had reached the end, i was hooked. The Life Pursuit is a lot like that...you won't hear it on first listen, but if you let it grow on you, you'll be hooked. Grade: A-

Monday, February 13, 2006

Oscar Picks: Visual Effects

if you haven't figured out yet, i like movies. i love movies. and even though the Oscars are kind of big load of shit, it's kind of fun to watch and guess what a bunch of stuffed shirts think should be awarded for artisitc merit in film for a given year. this year we're lucky, because the "blockbusters" blew, and a lot of independent features are getting recognition. so i'm going to give my predictions in the days leading up to the Oscars on March 3.

so there are three movies nominated for Achievement in Visual Effects:


  • The Chronicles of Narnia: The Lion, the Witch and The Wardrobe
  • King Kong
  • War of the Worlds
My prediction is King Kong. the simple fact of the matter is that like LucasFilm in the late 70s, 80s and 90s, the WETA Workshop presents the cutting edge in digital effects right now. Peter Jackson and his cohorts have such an eye for detail that even their fantastic creations in the Lord of the Rings seemed real and life-like. one of the things they have figured out is how to render CGI characters as very realistic by having a real person act out the part of the CGI character in the film. As with Gollum in LotR, Andy Serkis once again helped WETA by playing the part of Kong himself. no one else has managed to make such realistic CGI characters yet. so to me, the award is WETA's (and Kong's) to lose.

Tomorrow: Achievements in Sound Mixing and Sound Editing

it's like Christmas for private dicks

my friend Eric sent me a link to a funny story about Valentine's Day being the busiest day of the year for private investigators.

the whole article is hilarious, but i thought this particular bit was the best:

One spouse who may be in for a Valentine's Day surprise this year is a Michigan man whose wife spotted an email confirming his hotel reservation for Tuesday, when he was supposed to be undergoing a special training session at work.

"The job is booked and he'll be under surveillance Valentine's Day," Dank said.

i can figure out who is more daft on this one, the husband for being so sloppy or the wife for paying for the privlege of finding out what she already knows...



movie of the day: In the Mood For Love (2001)

when i was in college and Quentin Tarantino's Pulp Fiction was all the rage, a friend of mine brought around a copy of Wong Kar-Wai's Chungking Express, which had recently been released on video in the US, backed in part by Tarantino, who was basically shitting gold at the time. i remember that back then that i was totally confused by Chungking Express, as it really didn't follow the "rules" of American filmmaking and didn't seem to me to have a point. of course, at the time i didn't know anything about foreign or art-house film, and i haven't seen Chungking Express since.

Amazingly, however, i have not forgotten Wong Kar-Wai. in the years since my initial exposure to Wong's work, i have heard about his movies from film critics and always put in the back of my head the fact that he was the guy who made Chungking Express and that i might want to check some of his other films out. but as it always seems to happen, there are a mulititude of choices with limited time, and the works of Wong Kar-Wai were buried under my attempts to watch the classics of American film, the works of Renoir and the films or Akira Kurosawa. Even when we joined Netflix, i made sure to add some of Wong's essential work, but again it was buried by some of my other choices.

What am i getting at exactly? luckily for me, i'm not the only person in my house who had an interest in the works of Wong Kar-Wai. my wife had heard about Wong's In the Mood For Love, which i had queued up, but managed to put 100+ films before it. Fortunately, her queue is a lot shorter than mine, and so on Saturday In the Mood For Love showed up at our door.

i don't think i am ruining the film for anyone by mentioning that the plot revolves around two neighbors whose spouses have begun an affair. they turn to each other, but vow to never be like them. of course, they both want to give in, to be exactly like their spouses, but honor must be maintained. and thus, their shared agony is the driving force behind this film.

the thing i like about In the Mood For Love is that instead of taking the easy way out and relying on the traditional look at such affairs, Wong puts his viewers in a position where they can only rely on the perspectives of his cuckolds, Mr. Chow and Mrs. Zhen. Mrs. Chow and Mr. Zhen are sometimes heard, but never seen--this prevents viewers from even the remotest possibility of empathizing with the adulterers. take this in contrast to the usual Hollywood formula employed in a movie like the Jennifer Lopez vehicle The Wedding Planner (and yes, i know it sucks, hear me out.) in that movie, Lopez meets the perfect guy...who she ends up finding out she is planning a wedding for. of course, the structure of The Wedding Planner demands that Lopez's character end up with Mr. Right at the end...even if it means that Mr. Right must ultimately jilt his fianceƩ at the end. of course, Hollywood doesn't care for the jilted bride's feelings--in fact she seems to accept her fate as "meant to be." In the Mood For Love is not so idealistic as to accept this sort of "only in the movies" mentality. The faceless spouses are not there to get in the way of Mr. Chow and Mrs. Zhen feeling the pain of the betrayal they have experienced. you can not feel for them, only for their victims.

in the end it seems that the ties that bind are the pain and suffering we create through our relationships. to form a relationship is to know that it will end through apathy, death or betrayal. and the reason we hurt is because we valued that which we held so dear. i know how Mr. Chow and Mrs. Zhen feel and why they eventually fall in love, because they know what they have lost, and the hole it has left behind. we've all been there--the question is, do we find it rewarding to see how humans react to such situations, or to see something that happens "only in the movies?" Five Stars (out of Five)

okay i know i promised i wouldn't talk politics...

but the Dick Cheney shooting his pal while quail hunting story was too good to pass up.

actually Harry Wittington taking a hail of birdshot from the veep isn't hilarious, but the fact that the White House is trying to blame Wittington for it is.

with friends like these...

Saturday, February 11, 2006

what's more ridiculous than the Super Bowl halftime show?


how about the opening ceremony of the Olympics? i didn't know what the Ricola guys had been up to lately so it as good to see they got some work.

and could there be anything more vapid than Bob Costas and Brian Williams informing viewers about each country in the "Parade of Nations" by reading verbatim from the CIA World Factbook?

riveting television.

Friday, February 10, 2006

movie of the day: Hustle and Flow (2005)

Since were doing the pop culture thing, i am going to bring you guys some movie reviews whenever i watch something new via Netflix. today's selection: the movie Hustle and Flow, the story of a small time street pimp and drug dealer who aspires to become a rap star. a lot has been said about Terrence Dashon Howard's Academy Award nominated performance as DJay, and I don't have much to add in that regard, because without Howard there would be no film. but the thing that really impressed me about this movie was the dense tapestry that was woven around Djay and his environment. I think too often, white left leaning people (myself included) tend to think of the inner city as this amorphous landscape where everyone in the neighborhood is troubled and that it is our duty as white liberals to "clean it up" and give the people that live there "opportunities." but where we make our fatal mistake is in not thinking of the people who actually live there and the living that the people who live there do. i think we are always quick to judge that the life of the pimp or the small time drug dealer is not a life worth living when that simply is not the case. DJay has made his way through the world by following the opportunities he has been given--his ability to manage his girls, his ability to find the best weed. through his rap he is able to find the poetry and inner beauty of life in the tough part of town. of course, once he finds his voice he wants to be heard, and convinces himself that if he plans it just right, he will be able to make it big. Of course, the best laid plans often go wrong and DJay's goes horribly wrong, which in the end might be the best thing that has happened to him and his dreams.

I would strongly recommend this movie to anyone who wants to see a good film. Yes, it is a movie about rap, but like all great movies it isn't about rap...it's about a person who wants to rap, just like Raging Bull just isn't a movie about a boxer. To claim that it is "just about" something is to try and belittle it, and this movie is too good to belittle. Five Stars (out of Five)

okay, take 2

all right, there was a lot of bitching that the last blog was too political and that my listeners (all three of them) would be more interested in my talking about music, movies, and other pop culture fun. so let's try this again.